Edward Mead (UK) "Inspired by Beethoven" - Susanne Kessel, piano

by Susanne Kessel piano - "250 piano pieces for Beethoven", Vol. 8

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about

"Inspired by Beethoven" by british composer Edward Mead is part of Vol. 8 of Susanne Kessel's global composition project

"250 piano pieces for Beethoven"

250 composers from all over the world are invited to write new piano pieces for Beethoven's 250th anniversary in the year 2020. All pieces refer to Beethoven's music and/or his life.
Susanne Kessel plays the world premieres of all the piano pieces in Beethoven's birthtown Bonn. And further performances also in other cities and countries.

All pieces are published within a high quality sheet music edition by EDITIONS MUSICA FERRUM / London.

You can find the sheet music of this piece in Vol. 8 of the project's edition.

All information about the project - and SHOP:
www.250-piano-pieces-for-beethoven.com

lyrics

Edward Mead über sein piano piece „Inspired by Beethoven“:

„In terms of style of writing, this piece is by no means an imitation of Beethoven’s own. Rather, it has been written in the spirit of his writing, meaning that it is in an individual style, rather than exact imitation of another’s. I have made, in this piece, several connections to Beethoven, some directly, others through other people inspired by him. Harmonically, this piece generally consists of fairly common diatonic chords, but I believe the combinations, and the ways they’ve been but together are less common. In this sense, I have taken inspiration from the writing of Ralph Vaughan Williams, who could do this masterly. (My other two big inspirations, when writting this, were Thomas Newman and Eric Whitacre.) Something important, that is sometimes written in markings on the score, and other times only implied by the music itself, is flexibility of tempo. The upward pointing arrows signify a moving forward in tempo, or more movement, while the downward pointing arrows mean a pulling back, or decreasing in movement. But these markings don’t mean that everything else should be played in strict time, but with sensitivity. Indeed, this applies not only for tempo, but also for shape, and colour, amongst others.“

Special thanks to John Cooney (Yehudi Menuhin School, UK) for advice and support.

credits

released April 20, 2019
Executive Producer: Susanne Kessel
Recording Producer: Stephan Schmidt
Steinway D: Schoke Flügel & Pianos
Sheet Music: Editions Musica Ferrum / London

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Susanne Kessel Bonn, Germany

German pianist Susanne Kessel invited 250 composers all around the globe to write piano pieces "for Beethoven". In celebration of Ludwig van Beethoven's 250 anniversary in the year 2020, thshe plays all the 250 p ieces and publishes the sheet music within 10 festive Volumes at Editions Musica Ferrum / London. ... more

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